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Could it be infidelity? For someone with a reputation for mechanical accuracy, that’s got to mean something. The theme of repetition allows for imagery of the Turkish hills or mountains sending back echoes of every sound, hills that koyunbsba have been the location for the suicide of the shepherd of the legend upon which it is based.
Op 19 – Koyunbaba – Part Ii – Mosso Guitar Tab – Carlo Domeniconi |
Or indeed the memory of a lost love’s unique vocal inflection, leading to a kounbaba of a long past argument. Or something more complex that he knows he can do nothing about? It could be the memory of running.
Or perhaps an illness? The second movement indicates that something has called up a strong memory. Koyunbaaba could be sitting on a rock reflecting on better days or perhaps looking over a precipice, listening to the silence and the bleating sheep a short distance away. That leads into the 4th movementwhich is undoubtedly involving running.
It is perhaps a little ironic since her demeanor is probably the most deadpan in terms of body language, but I’ve always felt that she heard the story beneath better than most. So that means I have nothing to lose! Over the years, my understanding of the piece has changed as I have come to see it through the mind of the performer rather than just the listener.
A collection of notes about classical guitars, nylon strings and related topics. He’s interacting with the world around him, and possibly feeling a little melancholy from the cold isolation with only tav sheep as his friends. Could the bleating of the sheep be repeating this tragic moment?
It could be pain. It could be passion.
Carlo Domeniconi | Koyunbaba I Moderato | power tab @ Guitar Tabs Archive
I practiced it on and off as one of the very first pieces I ever attempted, spending more time off than on, but did manage to get things polished to get to the end o the 3rd movement, when the mental strain of keeping all the melodic elements and arpeggio patterns led me to a halt a few times. It starts with the moment that his heart realizes that something isn’t right.
The piece ends with a repetition of the beginning of the train of thought that got him there, presumably the last things that pass through his mind as he lies there waiting for his broken body to die.
Undoubtedly anyone who listens will find the same since the pace is unrelenting and technically challenging.
Koyunbaba by Domeniconi, Carlo
Indeed, each time I play it through, a different element of ooyunbaba story seems to take hold. The movement peaks with the sound of a breaking heart.
It could be a racing mind. I decided that never in a million years of practicing would I ever be able to play this piece. Indeed, the only version of the great John Williams on Youtube at this time shows him making a few small errors and one completely wrong note.
Most days I play it as passion and excitement, tinged with some regret. Of course that can make it a little difficult to keep up a good routine of practice Little wonder that on one occasion, I played through to the end of the 3rd movement and actually sat there for a few minutes, heart pounding and tears forming. The first movement is romantic reflection. The third movement actually has the emotional climax of the piece. A story emerges from each part. I prefer it because of all the versions out there, I hear the story most clearly with her presentation.
Upon hearing this stunning piece of music, I was immediately captivated – especially by the heart-pounding Presto 4th movement. I was privileged to have found a few areas to contribute a little to the existing version after carefully going over the sheet music.
Or it could be the shepherd himself running to an edge and the ‘flashing before the eyes’ that occurs in the moments before he leaps. He is truly lost in his memories as he recalls the beginning of the end of something good. Or perhaps the bleating of sheep in a nearby flock.
Notable is the similarity that this has to the trill from the first movement.